H O L O F A N G S
[ID: A set of holographic-rainbow fangs snarling against a black background. The jaws are animal-like and dripping with iridescent saliva. End ID]
[Caption transcript: Holo fangs
I painted these color keys for this scene in Across the Spiderverse between Gwen and her dad!
The idea for the initial color palette was that because Gwen's world is colored by her emotions, she's cool blue despite the warm light of her surroundings - to symbolize her internal isolation from the rest of the world and her father.
Upon entering Gwen's room, we see an inverse of the color relationship that was set up previously. Gwen and her environment are in harmony, contrasting against her dad's warm colors. When they embrace, their colors mix together to create something new.
Hanna | exitum
Castalia, Roberto Ferri
We saw these hills: they were covered with flowers.
Chris Bursk, Ovid at fifteen
you can literally never go wrong with having diners in your story regardless of its genre. like they're false beacons of hope, they're safe havens for the lost and unwanted, they exist as a bridge between worlds, they're haunted by the memories of all the people who have been there before, they're both cozy and eerie, and they're literally always there. every town has a diner. every town knows what those flickering red lights mean. and stories about diners never fail to fuck severely.